The Women

Feb 25, 2019 — Turns out, not everyone loves a winner.

Dec 6, 2018 — Also in today’s round of festival news: Guillermo del Toro’s alternative history of Mexican cinema and Sundance’s New Frontier.

Sep 7, 2018 — Hoberman on Romero, Anderson on Godard, Gallagher on Ford, filmmakers’ top fifties, and more.

Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...

Apr 2, 2018 — Khalik Allah’s Black Mother premiered at last month’s True/False Film Fest, saw its international premiere at CPH:DOX in Copenhagen, has just screened in Paris at the fortieth Cinéma du réel, and screens this week at New Directors/New Films in New...

Apr 1, 2018 — Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...

Mar 30, 2018 — New York. “Today’s manliest movie stars—mostly buffed-up superheroes like your Chrises Hemsworth, Pratt, and Evans—are scientifically enlarged and formed by state-of-the-art training and diet regimens,” writes Vern in the Village Voice. “Guys like Steve McQueen, Lee Marvin, Charles Bronson, and...

Feb 26, 2018 — New York. He Who Gets Slapped (1924) screens this evening at Film Forum as part of the series Victor Sjöström: The Screen’s First Master. Lon Chaney “is brilliant as a man who has chosen madness over grief,” writes Jon Dieringer,...

Feb 19, 2018 — New York. Anthology Film Archives’ series Documentarists for a Day runs for two more nights, and Screen Slate is spotlighting the two films screening tomorrow. Theater in Trance (1981) is the only documentary Rainer Werner Fassbinder made. Angeline Gragásin: “Comprised...

Feb 18, 2018 — “Nymphetmania has a long and hoary pedigree in Hollywood, and flourished years before Nabokov gave us the Lolita syndrome,” writes Molly Haskell in the Guardian. “D. W. Griffith’s child-woman ingénues such as Lillian Gish and Mae Marsh were ‘pseudo-nymphets’ (critic...