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The Others

Jul 18, 2017 During a period of personal turmoil, Andrei Tarkovsky created this enigmatic masterpiece, which explores spiritual and metaphysical mysteries through the prism of a science-fiction epic.

Jun 25, 2017 TIFF Long Take hosts Rob Kraszewski and Geoff Macnaughton talk with A. O. Scott about working with fellow New York Times film critic Manohla Dargis on that list of The 25 Best Films of the 21st Century (So Far) (43’08”)....

Jun 16, 2017 The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...

Jun 5, 2017 Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...

Dec 11, 2016 Earlier this week, we shared our interview with John Pierson, creator and host of the TV series Split Screen, which chronicled the emergence of a vibrant American independent film movement at the turn of the century. Almost two decades after...

Oct 9, 2015 Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.

Jun 29, 2015 This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.

Jan 26, 2015 Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.

Jul 21, 2014 Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.

May 14, 2014 The author recalls his meetings and correspondence with the uncompromisingly independent British director.

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