The Criterion Collection
Jan 25, 2019 — Gifted with crack timing and a caustic wit, Elaine May first came up as an improv comedian in the late fifties, forming the popular satirical tandem of Nichols and May with her college classmate Mike Nichols. By the time May...
The Daily
Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.
Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...
Jan 11, 2019 — With 24 Frames, the film that would become his last, Abbas Kiarostami made one of the most conceptually daring—and painstaking—works of his career. Over the course of several years, the Iranian filmmaker hunkered down with visual effects supervisor Ali Kamali...
The Daily
Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.
Jan 8, 2019 — “Elements which can be eliminated have been eliminated” is how Abbas Kiarostami once described his late turn toward minimalism. While the Iranian director was known for the intricate, metatextual playfulness of his work, he also spent much of his career...
The Daily
Jan 7, 2019 — Critics are fine with the actors who’ve won Golden Globes this year—as for the films they appear in, not so much.
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.
Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...
The Daily
Dec 19, 2018 — The star of one of the biggest sitcoms in the 1970s directed three major hit films in the late ’80s and early ’90s.