The Criterion Collection
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
Nov 18, 2018 — This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.
The Daily
Nov 16, 2018 — Studies of China’s past and present are screening at three venues in the city.
The Daily
Nov 7, 2018 — Multimedia exhibitions of work by Andy Warhol, Chris Marker, Pedro Costa, and others are now on view around the world.
The Daily
Oct 25, 2018 — Wim Wenders, Marilyn Monroe, and Peter Bogdanovich are among the names cropping up this week.
The Daily
Oct 17, 2018 — Peter Jackson revamps archival footage from the First World War in They Shall Not Grow Old.
The Daily
Oct 8, 2018 — Features by Tsai Ming-liang, Jodie Mack, and Gabriel Abrantes and Daniel Schmidt exhibit the range of the NYFF program.
The Daily
Oct 1, 2018 — On Roberto Minervini’s What You Gonna Do When the World’s on Fire? and Frederick Wiseman’s Monrovia, Indiana.