The Criterion Collection
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Apr 17, 2008 — Judging from many of the reactions we get from viewers, there’s a gratifying sense of discovery that accompanies each new Eclipse release. That comes as little surprise to us, since that same feeling is as alive and well here in...
Jul 9, 2007 — This unforgettable drama about damaged adolescents combines Jean Cocteau’s penchant for mythic poetry and Jean-Pierre Melville's knack for crafting intricate schemes.
Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...
The Daily
Feb 19, 2026 — In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”
The Daily
Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).
Sep 22, 2020 — Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
In Theaters
Mar 2, 2017 — Repertory PicksThis Friday, the University of Wisconsin–Milwaukee will screen French Cancan, Jean Renoir’s vibrant reimagining of belle epoque Paris. Inspired by the life of Moulin Rouge founder Charles Zidler, this 1955 musical comedy tells the story of a cabaret impresario...
Jun 28, 2011 — Raymond Queneau’s Zazie dans le métro is the funniest book ever written in, and about, the French language. When it came out in 1959, it “made the whole of France laugh,” Jean-Paul Rappeneau, who helped Louis Malle adapt it to...