Film

Sep 7, 2016 — Jenni Olson is an acclaimed filmmaker, writer, archivist, LGBT film historian, and online pioneer. Since premiering at Sundance in 2015, her innovative feature-length essay film The Royal Road, which reflects on an array of topics ranging from the Spanish colonization...

Aug 25, 2016 — Tunde Adebimpe is the lead singer of the Brooklyn-based band TV on the Radio. In addition to his music, he is also an animator, visual artist, and actor. His film credits include Jonathan Demme’s Rachel Getting Married, Sebastián Silva’s Nasty...

Aug 19, 2016 — Born and raised in Los Angeles, Andrew Ahn is a Korean-American filmmaker whose debut feature, Spa Night, premiered at the 2016 Sundance Film Festival and won the US Grand Jury Prize at Outfest. The film’s lead actor, Joe Seo, won...

Aug 7, 2016 — Following an arduous restoration effort that involved broken scanners, missing reels, and the complicated transfer of materials between Taipei, Bologna, and New York, Edward Yang’s 1991 epic film is finally available in a high-quality viewing format.

Aug 4, 2016 — Douglas Hart is a filmmaker, video director, and founding member of the Jesus and Mary Chain. As a video director, Hart has worked with My Bloody Valentine, Primal Scream, the Stone Roses, Baby Shambles, Paul Weller, the Horrors, and the...

Jul 28, 2016 — The National Gallery of Art presents the 1930 silent film, an exuberant ode to Weimar Berlin, with live musical accompaniment.

Jul 26, 2016 — Megan Abbott is the award-winning author of seven novels, including Dare Me and The Fever. Her writing has appeared in the New York Times, the Guardian, and the Wall Street Journal. She is also the author of The Street Was...

Jul 22, 2016 — Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.

Jul 21, 2016 — As part of a monthlong film series, the Austin Film Society is screening Maurice Pialat’s 1983 masterpiece.

Jul 18, 2016 — Watch rare footage of the director candidly discussing his film’s production and afterlife, shot in 1983 by director-editor Timothy De Paepe, then a student of Harvey’s, as part of a film-school documentary