Feb 24, 2016 Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.

Feb 18, 2016 The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.

Feb 16, 2016 In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Jan 15, 2016 The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.

Jan 13, 2016 In Bitter Rice, Giuseppe De Santis focused his lens on the world of Italy’s female rice workers, for a story that’s part social commentary, part pulp melodrama—and introduced the world to a dazzling young actress named Silvana Mangano.

Jan 12, 2016 In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.

Dec 9, 2015 With Jellyfish Eyes, Takashi Murakami’s creature feature made in the aftermath of Japan’s 2011 earthquake and nuclear crisis, the international art superstar brings his transcultural vision to the lineage of artist-filmmaker crossovers.

Nov 12, 2015 Repertory PicksWhat better way is there to spend an afternoon than by indulging in the surreal pleasures of Luis Buñuel? Well, this Saturday, Baltimore's historic Charles Theatre is presenting a matinée screening of Belle de jour, one of the Spanish...

Nov 9, 2015 “When you feel loved, you’re liable to do some of your better work,” says Gena Rowlands in a new interview for Academy Originals, a web video series produced by the Academy of Motion Picture Arts and Sciences. The incomparable actress,...

Sep 22, 2015 Two precocious youngsters try to carve out a corner of the world just for themselves in Wes Anderson’s alternately melancholy and boisterous tale of growing pains.

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