The Criterion Collection
Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.
Essays
May 15, 2000 — Agnes Varda’s Cléo from 5 to 7, the first fully-achieved feature by the woman who would become the premiere female director of her generation, dazzled when it opened, and looks even more timely today in its tackling of the fashionable...
Essays
Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...
Essays
Aug 25, 1998 — Here is an honest, visionary, pulp film, stripped of all romanticism, with characterizations and themes more real and relevant today than ever. To watch Shock Corridor now is to experience the complex, wacky, full-blown masterpiece of one of Hollywood’s great...
Essays
Oct 25, 1994 — Kenji Mizoguchi develops his medieval fable about moral freedom and slavery with intuition, cunning, and an overarching sense of tragedy.
Essays
Jul 15, 1991 — For only his second studio film, Peter Bogdanovich chanced directing an adaptation of Larry McMurtry’s elegiac novel about teenagers who come of age in a dying Texas town in the early fifties.
Essays
Jun 3, 1991 — Robert Montgomery stars in the Oscar-nominated role of Joe Pendleton, a lug of a boxer accidentally spirited off to heaven before his time, while Claude Rains is the title character whose job it is to find a way for Pendleton...
Jun 3, 1991 — Jean Marais on the set of Beauty and the Beast An excerpt from Cocteau: A Biography (1970) by Francis Steegmuller Beauty and the Beast, the first film of Cocteau’s own since The Blood of a Poet, and his finest poem since...