The Criterion Collection
Essays
Sep 28, 2021 — The first Black-directed movie musical of the modern film era, Melvin Van Peebles’s drama illuminates the cultural and political concerns of working-class Black people with delight and fancy.
Short Takes
Jun 23, 2017 — Kirsten Johnson joined Illeana Douglas for an evening of conversation and a screening of Cameraperson at the Wing, a women’s club that recently opened in Manhattan.
Feb 29, 1988 — Marx Brothers aficionados have argued for years over the relative merits of A Night at the Opera and the “purer” Marx movies such as Duck Soup. Certainly there’s no comparison on a point-by-point basis: Duck Soup is a classic of...
Feb 20, 2018 — Robert Rodriguez, Frank Darabont, and Guillermo del Toro discuss the groundbreaking casting of African American actor Duane Jones as the lead in Night of the Living Dead.
Feb 12, 2016 — Last night marked the opening of the forty-fourth annual Dance on Camera festival, hosted by the Film Society of Lincoln Center and copresented with the Dance Films Association.
In Theaters
Jul 5, 2018 — As part of a date-night series, the Robinson Film Center in Shreveport screens the greatest baseball movie of all time on the same day our release hits stores.
Jan 1, 2007 — I’ve started writing this several times, and each time I’ve gotten diverted. Originally, I wrote about our troops in Iraq and the fact that we had sent along DVDs for the holidays, but I had a hard time equating our...
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
The writer and director returns to the Criterion Closet, where he talks about the infectious energy of Night and the City, shares why Beau travail and Cold Water were transformative works for independent filmmakers in the 1990s, and praises the...