The Criterion Collection
Oct 7, 2019 — One Scene Japanese filmmaker Takashi Miike has directed more than a hundred features, and almost three decades into his career he’s showing no signs of slowing down. Throughout his ferocious, often controversial body of work, he has contorted disparate genres...
May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...
The Daily
May 18, 2018 — Critics split over this “urban western,” Garrone’s fourth film in competition.
May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
Apr 27, 2009 — The idea of making a film about Japan’s most famous sex crime, with a decent budget and in conditions of complete freedom, reawakened Nagisa Oshima’s desire to direct—and the prospect of circumventing Japanese censorship must have made the decision even...
Essays
Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.
Essays
Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.
Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...
Essays
Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.