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Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jul 22, 2021 — Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.

Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jun 28, 2021 — Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.

Jun 23, 2021 — C. W. Winter and Anders Edström’s eight-hour The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) comes to Los Angeles and New York in July.

May 25, 2021 — The Palestinian filmmaker’s four features are streaming for free through Sunday.

Apr 8, 2021 — If I wanted to do justice to my memory of Bertrand Tavernier, I would have to tell half my life. That’s why I prefer to start with his films—and with the one I perhaps like the best. In Coup de...