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Stories We Tell

Dec 5, 2023 A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...

November Books

The Daily

Nov 20, 2023 This month brings new books on Godard and Bergman, novelists moonlighting as film critics, and biographies of Lena Horne and Elizabeth Taylor.

Oct 24, 2023 This November, learn the art of the con from some of cinema’s craftiest swindlers, or saddle up alongside some of the most complex and determined female characters in the history of the western.

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Late Dialogues

The Daily

Oct 13, 2023 Look who’s talking: Martin Scorsese, Michael Mann, Nathaniel Dorsky, Ryusuke Hamaguchi, Gregg Araki . . .

Sep 8, 2023 The festival launches new films by Wes Anderson, Richard Linklater, Harmony Korine, and Ibrahim Nash’at.

Aug 25, 2023 This week brings restorations of work by Kira Muratova, a personal story from Werner Herzog, and conversations with Kim Morgan and Dustin Guy Defa.

Aug 22, 2023 In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 10, 2023 “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Jul 11, 2023 In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.

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