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Our Town

Jan 6, 2003 — With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.

Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...

Sep 17, 2001 — Elmar Klos and I usually work as equal partners, but in this case he left me a free hand. He knows that I am not thinking of the fate of all the six million tortured Jews, but that my work...

Sep 17, 2001 — Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.

Jul 9, 2001 — Director Bruce Robinson reminisces about the days that inspired his uproarious black comedy.

Billy Liar

Essays

Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.

May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.

Salò

Essays

Jul 21, 1998 — On November 2, 1975, the Italian director Pier Paolo Pasolini was found dead—murdered, police said, by a young male prostitute. However lurid its details (the Roman tabloids ran huge front-page photos of the disfigured corpse), his death struck many as...

Nov 11, 1991 — The following notes are by Mark Kasdan, co-writer and associate producer of Silverado. Albert Camus wrote that a person’s lifework may be “nothing but a long journey to find again, by all the detours of art, the two or three...

Jour de fete

Essays

Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.

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