One Man Up

Apr 19, 2023 — Paul Thomas Anderson, Maria Schneider, and fictional figures—Blanche DuBois and Juliet Capulet—figure in this month’s roundup.

Feb 28, 2023 — In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.

Aug 26, 2022 — In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.

Jul 20, 2022 — The festival will screen new restorations of films by Edward Yang, Jean Eustache, Pier Paolo Pasolini, and Yasujiro Ozu.

May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

Nov 23, 2021 — First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...

Sep 20, 2021 — Kenneth Branagh gets an early awards season boost, while Indonesian director Kamila Andini wins the Platform prize.

Aug 17, 2021 — Songbook It will always figure for me as an interval of eerily suspended time: not only a formative moviegoing experience but a jolt of awareness when the line between screen and life dissolved. In a dimly lit Tokyo cabaret the...

Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jul 19, 2021 — When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...