One, Two, Three

Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.

Aug 5, 2019 — At the San Francisco Silent Film Festival you can expect to see many great, even perfect, treasures of cinema, popular classics, and critical favorites. At the age of twenty-four, the event has become increasingly central to the silent cinema calendar—one...

Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

May 13, 2019 — Whether he was adapting Lillian Hellman or Stan Lee, Sargent excelled at locating the human heart beating at the center of the story.

Apr 15, 2019 — She was known as “a professional innocent”—until Persona (1966) revealed a complex emotional intelligence.

Jan 9, 2019 — The Sopranos Film Festival celebrates the twentieth anniversary of the landmark show. Plus news from Rotterdam, Berlin, Austin, and Park City.

Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...

Jun 19, 2018 — It keeps happening. At the time of this writing, students of Marjory Stoneman Douglas High School in Parkland, Florida, are mourning the deaths of fourteen of their classmates and three faculty members, all of whom a nineteen-year-old is accused of...

Jun 13, 2018 — Can a screenwriter influence—even change—the course of film history? With his script for Rashomon (1950), Shinobu Hashimoto, who turned 100 this year, did just that. The film launched its director—Akira Kurosawa—to world fame and brought international audiences to the glory...