Office

Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.

Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.

Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Jul 18, 2016 — Criterion’s resident researcher and web producer takes a trip to Madrid bookstore Ocho y Medio, which she calls “a shrine to Spanish contributions to the seventh art.”

Jul 5, 2016 — Arthur Hiller’s 1979 comedy pairs Alan Arkin and Peter Falk as unlikely comrades in a madcap farce that lands every laugh.

Jun 30, 2016 — In Olivier Assayas’s 2014 film Clouds of Sils Maria, Juliette Binoche and Kristen Stewart play out a story centered on the complexities of female relationships, the making and undoing of boundaries between people, and our anxieties about the passage of...

Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

Jun 28, 2016 — When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...

Jun 15, 2016 — Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.

May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.