The Criterion Collection
Dec 11, 2018 — Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...
Dec 9, 2018 — Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...
Nov 28, 2018 — Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
The Daily
Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.
The Daily
Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.
Oct 30, 2018 — A showcase for some of Boris Karloff’s most nuanced acting, this beguiling horror gem is perfect Halloween viewing.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
The Daily
Oct 17, 2018 — Peter Jackson revamps archival footage from the First World War in They Shall Not Grow Old.