My Hero

May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...

May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.

May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

May 20, 2019 — For many, the semi-autobiographical film is one of Almodóvar’s best in years.

May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.

Apr 24, 2019 — Channel Calendars The Women (1939) It’s going to be a packed month on the Criterion Channel, with a spotlight on the unforgettable female characters of a classic Hollywood master, a tribute to the great Japanese cinematographer Kazuo Miyagawa, a new...

Apr 3, 2019 — This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...