The Criterion Collection
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.
May 29, 2012 — A watershed film in Bergman’s career, this tale of a woman caught between the past and present is a masterful study in darkness and light.
Apr 24, 2012 — Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....
Mar 9, 2012 — The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.
Feb 7, 2012 — La Jetée (1963) and Sans Soleil (1983), made a tidy twenty years apart, are the twin peaks of Chris Marker’s creative achievements and his best-loved and most widely seen films. But who is Chris Marker? Writer, photographer, editor, filmmaker, videographer,...
Oct 18, 2011 — Hair, There, and Everywhere Are the Leningrad Cowboys for real? With pointy pompadours reaching to impossible heights above their expressionless faces and needlelike winklepicker shoes that could have been torn from the feet of oversize elves, they might be a...