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Men in Black

Jan 22, 2026 A singular achievement in Arab film history, Mohammed Lakhdar-Hamina’s sweeping political epic is a memorial to the lives lost in the struggle for Algerian independence.

Aug 25, 2026 In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.

Nov 18, 2025 This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.

Jan 14, 2025 In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.

Written in Neon

The Daily

Jan 19, 2024 We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.

Sep 10, 2019 In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.

Sep 18, 2012 Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.

Jul 21, 2011 Performances When people talk about Mike Leigh’s Naked, the conversation is inevitably focused on David Thewlis’s nerve-shredding, tour de force central performance as the callous drifter Johnny, who slices through life like a straight razor. Yet consider how impossible his...

Oct 26, 2010 For several decades now, William Faulkner’s Light in August (1932) and Carl Dreyer’s Gertrud (1964) have been major touchstones for me—not only separately but also in some mysterious relation to each other. I even managed to find a way of discussing these...

Mar 17, 2010 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...

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