Oct 17, 2016 Terence Nance was born and raised in Dallas, Texas. His first feature film, An Oversimplification of Her Beauty, premiered in the New Frontier section of the 2012 Sundance Film Festival. The film garnered him recognition from Filmmaker magazine, which selected...

Oct 11, 2016 Before the New York Film Festival premiere of Hermia and Helena, his 2016 riff on A Midsummer Night’s Dream, the Argentine director stopped by to discuss the Bard and the movies that shaped him as a filmmaker.

Oct 3, 2016 Polish music icon Zbigniew Preisner, who first worked with the Dekalog director on 1985’s No End and went on to contribute to all of his subsequent films. Here, we present a selected playlist of Preisner’s most memorable work for Kieślowski.

Sep 30, 2016 Amy Fine Collins is special correspondent to Vanity Fair, where for over twenty years she has written features about fashion, art, Hollywood, and society. An arbiter and owner of Vanity Fair’s international best-dressed list since 2003, she was inducted into...

Sep 28, 2016 “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.

Sep 28, 2016 The “Pope of Trash” himself discusses his love for Russ Meyer’s signature style and the original music and retro visuals of his 1970 cult sensation.

Sep 22, 2016 In this 1979 French television interview, the Cat People director discusses Lewton’s creative idealism and the impact it had on his own pragmatic sensibility.

Ozu in Berkeley

In Theaters

Sep 22, 2016 As part of a two-month series highlighting Yasujiro Ozu’s late-career work, the Pacific Film Archive is showing Equinox Flower, a family drama about a conservative father and his rebellious daughter, who refuses to accept his plans for her arranged marriage.

Storyboarding Blood Simple

Visual Analysis

Sep 19, 2016 Featuring commentary by the Coens, Sonnenfeld, and actor Frances McDormand, this video, created by photographer Grant Delin, highlights the careful planning that went into the film’s construction.

Sep 16, 2016 Critic Phillip Lopate explores the duality of the director’s approach to his female protagonists and asks whether his films are proto- or antifeminist.

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