The Criterion Collection
The Daily
Mar 10, 2020 — Over five days, visiting artists from around the world will present their formally innovative work in New York.
The Daily
Mar 9, 2020 — The towering Swede left indelible impressions as a medieval knight, a few tormented artists, two emigrants, and a loving father.
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
Feb 25, 2020 — In these times of Trumpidation, thirty years after its auspicious release, Paris Is Burning seems even more relevant than it did in early 1991, when I wrote the following for Black Film Review about Jennie Livingston’s phenomenal documentary on New...
The Daily
Feb 18, 2020 — From the making of Chinatown, through fresh memoirs and ongoing biographies, here’s this month’s overview of new and noteworthy titles.
The Daily
Feb 10, 2020 — The ragman’s son became one of Hollywood’s brightest stars, working most memorably with Wilder, Minnelli, and Kubrick.
Jan 29, 2020 — It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...
Jan 28, 2020 — Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...
Jan 21, 2020 — Melancholy and offbeat, Anna Mantzaris’s stop-motion animated short Good Intentions tells the tale of a woman involved in a hit-and-run accident that sparks a chain of strange occurrences. Using chubby-cheeked felt puppets that might suggest a more charming, whimsical type of story,...
Features
Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...