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Down By Law

May 22, 2017 “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...

May 19, 2017 We’ll get to the film at hand in a moment, but first—and just briefly—there’s no getting around the controversy that’s all but dominated the first couple of days at this year’s Cannes Film Festival. It began, really, when the festival...

Anthony Asquith

Short Takes

Apr 10, 2017 Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.

Apr 2, 2017 What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

Sep 28, 2016 The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.

Nov 4, 2015 In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.

Aug 7, 2014 Performances Today, the idea that comedian-actor-writer Lily Tomlin possesses dramatic versatility is so received that one might not realize how unexpected it was for audiences to see her in a serious role in Robert Altman’s Nashville in 1975. At that...

Mar 4, 2014 The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.

Feb 28, 2014 Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?

Oct 25, 2013 "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...

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