The Criterion Collection
Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.
The Daily
May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.
The Daily
Dec 13, 2024 — The week’s offered fine writing on Elaine May, Robert Siodmak and Ella Raines, and Christopher Nolan’s turning-point movie.
The Daily
Oct 24, 2023 — The season brings Barbra Streisand’s memories, the “joyously vulgar” Burton and Taylor, and the story of Siskel and Ebert.
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
The Daily
Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...
The Daily
Oct 16, 2017 — J. Hoberman will be at Light Industry in New York tomorrow evening to introduce a program of films he’s calling Against Riefenstahl: Charles A. Ridley’s The Lambeth Walk (1940), Frank Capra and Anatole Litvak’s Why We Fight: The Nazis Strike...
Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.
Essays
Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...