Broke

Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....

Apr 22, 2020 — Deep Dives The Forest for the Trees, by German filmmaker Maren Ade, is one of the deepest depictions of loneliness on-screen. After serving as a television producer and shooting two shorts, Ade made this first feature, based on her own...

Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...

Mar 9, 2020 — The towering Swede left indelible impressions as a medieval knight, a few tormented artists, two emigrants, and a loving father.

Mar 9, 2020 — “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...

Mar 3, 2020 — Mohammad Rasoulof has won the Berlinale’s Golden Bear, and Eliza Hittman is taking home the grand jury prize.

Feb 24, 2020 — The German director reunites with Transit’s Paula Beer and Franz Rogowski for his Berlinale competition entry.

Feb 11, 2020 — How might four history-making Oscars impact movies from here on out?

Feb 3, 2020 — Young filmmakers from Asia have won over audiences and juries alike at this year’s festival.

Jan 31, 2020 — The abortion drama slated for the Berlinale’s competition is being met with strong reviews at Sundance.