After

Jul 29, 2024 — Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.

Jul 25, 2024 — During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.

Jul 24, 2024 — The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.

Jul 23, 2024 — The festival will premiere new work from Pedro Almodóvar, Alice Rohrwacher, Alfonso Cuarón, and Athina Rachel Tsangari.

Jul 23, 2024 — Unlike the string of early-1980s sex comedies that it superficially resembles, Paul Brickman’s debut feature fuses fierce social satire and dark, dreamy eroticism with unexpectedly rich and ambiguous results.

Jul 23, 2024 — Chen Kaige’s sweeping epic chronicles the history of twentieth-century China through the story of two childhood friends, contrasting the unchanging traditions of their Beijing-opera milieu with the nation’s swift and turbulent transformation.

Jul 19, 2024 — We’re looking back to films by Pakula and Oshima, and from the 1990s, by Claire Denis and Richard Shepard.

Jul 18, 2024 — Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.

Jul 18, 2024 — A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.

Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.