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May 14, 2018 — A favorite at Cannes, the Spanish director returns with one of his best features yet.

May 14, 2018 — Few critics come to the defense of this story of an all-female Kurdish combat unit.

May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.

May 6, 2018 — In his final masterpiece, Sergei Eisenstein revolutionized the screen biography, departing from the conventions of the genre to mount some of his boldest experiments. Ivan the Terrible, a two-part epic about the notorious Russian Tsar, is fueled by what the great director-theorist...

Apr 22, 2018 — This year’s Art of the Real, the fifth, running from Thursday through May 6 and co-presented by MUBI and the Film Society of Lincoln Center in New York, “offers a survey of the most vital and innovative voices in nonfiction...

Apr 18, 2018 — This morning, the Cannes Film Festival posted an announcement listing eleven new films that had been added to this year’s lineup. Then the announcement was yanked. Radio silence for hours. Now the announcement’s back up again. So let’s have a...

Apr 14, 2018 — La Repubblica’s Alessandra Vitali is among the many Italian journalists reporting on today’s passing of Vittorio Taviani at the age of eighty-eight. In 2013, Ryan Gilbey, writing for the Guardian, declared that Taviani and his brother, Paolo, eighty-six, “are among...

Apr 12, 2018 — Perhaps the most exciting “in the works” item of the past few days isn’t even about a film. Elaine May, seen above with her comedy partner Mike Nichols in the 1950s, “will star in the first Broadway production of Kenneth...

Apr 10, 2018 — New York. A new 4K restoration of Liquid Sky opens at the Quad on Friday. “At last,” writes Alan Scherstuhl in the Village Voice, “after sitting out the DVD and streaming eras, Slava Tsukerman’s 1982 neon-fired New Wave New York...