The Criterion Collection
Essays
Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.
Features
Dec 30, 2013 — Charlie Chaplin’s comedy has a secret ingredient that has bound us to him forever.
Apr 25, 2012 — Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...
Mar 13, 2012 — In the becalmed atmosphere of today’s Hollywood, it’s hard to imagine the tumult that greeted The Last Temptation of Christ when it was released in 1988. Brilliantly directed by Martin Scorsese, this adaptation of Nikos Kazantzakis’s imaginative retelling of the...
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.
Oct 19, 2010 — Clocking in at three hours and twenty-seven minutes, Seven Samurai’s lengthy runtime underscores the endurance of the samurai lifestyle, its toils and struggles.
Jul 13, 2010 — At the author’s request, Japanese names are given here in their traditional form: surname first. Ozu Yasujiro’s personal feelings about Japanese militarism in the 1930s and 1940s are not on record. Perhaps, like most people around him, he accepted the...
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Jul 2, 2026 — I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Calle Mayor Middle School in Torrance, California, when I...
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.