The Criterion Collection
Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...
On the Channel
Oct 30, 2020 — Channel Calendars With Thanksgiving around the corner, we’re grateful to the tireless preservationists who keep film history alive. Founded by Martin Scorsese in 1990, The Film Foundation has been an indispensable pillar of moving-image culture for the past three decades,...
Oct 9, 2020 — In Scoundrels & Spitballers: Writers and Hollywood in the 1930s, veteran French journalist Philippe Garnier brings to life an enchantingly raffish community of typewriter-pounders who headed west to try their luck in the verbal gold rush set off by the...
Features
May 27, 2020 — Walking, like breathing, is something we do without thinking, an activity so commonplace that pedestrian has as its second meaning uninspired, ordinary, dull. Movies, however, reveal this action as more than just the original mode of getting from here to...
On the Channel
Apr 30, 2020 — Check out what’s in store next month on our streaming service!
The Daily
Apr 30, 2020 — Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.
On the Channel
Feb 28, 2020 — Check out what’s in store next month on our streaming service!
Essays
Jan 7, 2020 — Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...
The Daily
Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.
The Daily
Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.