The Criterion Collection
The Daily
Aug 16, 2024 — With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.
Essays
Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.
Essays
Nov 10, 2020 — In the half-light of the opening shot of Girlfriends, a woman asks, “What are you doing?” and another responds, “Go back to sleep.” You could dismiss this as a bit of passing dialogue—or you could see in it a larger...
The Daily
Mar 4, 2020 — A series in New York celebrates the under-recognized work of Alma Reville and Joan Harrison.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
Jun 21, 2018 — I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...
Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...
Essays
Aug 18, 2003 — The third installment in Ingmar Bergman’s trilogy about religious faith sees the auteur coming to terms with the pious rigidity and strangled emotional life of his own upbringing.
Essays
Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...