The Criterion Collection
The Daily
Jul 25, 2017 — The Toronto International Film Festival has announced a first round of films lined up for its 2017 edition, running from September 7 through 17. In all, fourteen Gala and thirty-three Special Presentations—so far. Here’s the rundown; each of the titles...
The Daily
Jun 30, 2017 — New York. The tenth edition of Films on the Green, a series of free screenings of French films in the city’s parks, is on through September 7. Jim Jarmusch is one of the ten filmmakers and artists who’s selected a...
Features
May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.
Sneak Peeks
Apr 14, 2016 — Before he became one of cinema’s greatest directors, Howard Hawks was a pilot for the U.S. Army Air Corps during World War I. And in the years following the war, Hawks took advantage of his flying expertise and the public’s...
Jan 19, 2016 — Inside Llewyn Davis takes its protagonist on a Hero’s Journey of characteristically Coen-esque proportions—a voyage at turns serious and comic, and framed by an exquisitely curated selection of folk melodies.
Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.
May 25, 2010 — Between 1952 and 2003, depending on how the various serial works are counted, Stan Brakhage made somewhere between 350 and 400 films, about half of them short film poems under ten minutes in length, most of the rest between ten...
Apr 28, 2009 — When science fiction guru Forrest J Ackerman died last December, he was remembered for many firsts. Born November 24, 1916, Ackerman (known as Forry by fans and friends) purchased his first science fiction magazine in 1926. He founded the first...
Apr 25, 2005 — Pietro Germi offers locomotive relief in this comedy about the horrors of inertia.
Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.