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The Up Series

Feb 28, 2018 A few days ago, we ran an essay here by Pico Iyer on Satyajit Ray’s The Hero (1966), followed by Meheli Sen’s comments on Uttam Kumar’s performance within the context of his stardom. Iyer has more to say and, writing...

Nov 13, 2017 Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...

Jul 28, 2017 One of the wittiest chroniclers of modern American life, Albert Brooks talks with filmmaker Robert Weide about how he arrived at the concept for Lost in America. Also: a few words from James L. Brooks.

Jun 28, 2017 New York. “Rapturously received but mysteriously forgotten after its 1964 New York opening, Jacques Becker’s prison drama, Le trou (The Hole), returns, digitally restored, for a week at Film Forum,” begins J. Hoberman in the New York Times. “Becker served...

Jan 1, 2021 Along with new features from Pedro Almodóvar, Lynne Ramsay, and Todd Haynes, the new year will bring series directed by Barry Jenkins, Sofia Coppola, and Wong Kar Wai.

Nov 8, 2016 This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.

May 17, 2017 With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...

Feb 13, 2006 Jean Renoir’s classic film shows the natural world and the power of technology as wedded through the closely coordinated labor—effected through glances and sign language—of two men.

Disparate Moods

The Daily

Aug 1, 2025 On our minds this week: Renoir, Malick, Rozier, and a trip to FIDMarseille.

Nov 24, 2021 Mike Leigh, Hayao Miyazaki, Céline Sciamma, and Jessica Beshir discuss their work, and Farran Smith Nehme launches a newsletter.

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