The Criterion Collection
The Daily
Nov 27, 2017 — On May 1, 2001, Dieter Kosslick took over as director of the Berlin International Film Festival, following Moritz de Hadeln, who’d held the job for twenty years. On May 31, 2019, the day after his seventy-first birthday, Kosslick’s current contract...
The Daily
Sep 25, 2017 — “During one of the meanest passages in American national politics within living memory,” writes Holland Carter in the New York Times, “we’re getting a huge, historically corrective, morale-raising cultural event, one that lasts four months and hits on many of...
Essays
Mar 14, 2005 — The appearance of this 1966 film signaled not only the debut of Volker Schlöndorff as a major international filmmaker but also the beginnings of what would become known as the New German Cinema, one of the most important film movements...
Features
Sep 23, 2020 — First Person 1.In the past years I’ve often walked or bicycled alone to the small multiplex in my town, on weeknights. I like sitting by myself in movie theaters—I specify “by myself” to indicate my preference for going unaccompanied, as...
Interviews
Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...
The Daily
Apr 12, 2019 — Known for his work with John Cassavetes, the actor was rediscovered a generation later in films by Wes Anderson.
The Daily
Aug 12, 2022 — The sublime comedies of Ernst Lubitsch, a state-of-the-doc address, and the spectacular work of three graphic designers.
Jul 12, 2018 — The director of Bull Durham explains the ins and outs of bringing baseball to the screen and why Kevin Costner is the finest athletic actor he’s worked with.
Jan 26, 2023 — This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.
Interviews
Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.