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The Tasters

May Books

The Daily

May 24, 2021 We’re reading more about Billy Wilder and Alfred Hitchcock and about Sofia Coppola and Stanley Kubrick.

Jun 15, 2020 The eye contact, the exhilarating anxiety of sharing private tastes, the power of knowing what you want and summoning up the courage to ask for it: in case you can’t tell, I’m talking about the once-upon-a-time experience of renting a...

Oct 7, 2019 One Scene Japanese filmmaker Takashi Miike has directed more than a hundred features, and almost three decades into his career he’s showing no signs of slowing down. Throughout his ferocious, often controversial body of work, he has contorted disparate genres...

August Books

The Daily

Aug 12, 2019 This month we’re looking at titles by or about Chantal Akerman, Orson Welles, Chris Marker, Kathleen Collins, and many more filmmakers and writers.

May 7, 2019 “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...

Aug 2, 2018 The Swedish master finds desire and despair in the fashion world in a key transitional film from 1955.

Jun 21, 2018 I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...

May 4, 2018 What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.

Mar 22, 2018 New York. There’s a series currently running at the Metrograph through Monday with a very long title. Ready? Something About Stray Dogs: Wes Anderson’s Isle of Dogs and a Kurosawa Retrospective. The films have been hand-picked by Anderson, who says,...

Jan 30, 2018 “In what he describes as a ‘forward’ to this film, director Jan Svankmajer—talking straight to the camera and fluffing his lines repeatedly—admits that he doesn’t actually know what this, apparently his final picture, is about.” So begins Wendy Ide in...

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