The Criterion Collection
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
May 20, 2009 — Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...
Aug 14, 2006 — “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....
The Daily
Aug 20, 2024 — Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
The Daily
Sep 19, 2022 — Let’s have a look at the award-winners and critical favorites.
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
The Daily
Nov 12, 2024 — The festival’s second edition reasserts its emphasis on “showcasing and advocating for personal, ambitious regional cinema.”
Essays
Jul 20, 2021 — Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.