The Night Comes For Us

Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...

Oct 15, 2015 — Arnaud Desplechin stopped by for a visit and dispensed a few of his gems of wisdom.

Nov 3, 2025 — Beginning on November 24, the Criterion Channel will exclusively premiere the long-awaited television series from visionary director Wong Kar Wai.

Jun 10, 2025 — Sidney Lumet’s lavish adaptation of a Tony Award–winning stage musical combines an ecstatic appreciation of Black artistry with a celebration of freedom and perseverance.

Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.

Apr 11, 2018 — The Cannes Film Festival has announced the lineup for its seventy-first edition, running from May 8 through 19. Artistic director Thierry Frémaux has declared that this year’s Official Selection represents “a great renewal,” a new generation of filmmakers reflecting the...

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.