The Criterion Collection
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
The Daily
May 30, 2017 — Now that the Cannes Film Festival has wrapped, we’ve got some catching up to do. Let’s begin with Scout Tafoya’s report for the Village Voice on a recent symposium “on film criticism and scholarship commemorating the legacy of German film...
The Daily
May 21, 2021 — On our minds this week: John Schlesinger, Nathaniel Dorsky and Jerome Hiler, Marguerite Duras, Agnès Varda, and David Cronenberg.
The Daily
May 4, 2023 — The Thai artist and director picks ten features to screen alongside his own work in New York.
The Daily
Jan 5, 2018 — For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...
On the Channel
Nov 13, 2024 — Spend the holiday season with the Pope of Trash, the Master of Suspense, MTV Productions’s turn-of-the-century thrills, and Columbia Pictures’s pre-Code button-pushers.
Essays
Nov 29, 2011 — Elephant Boy: Child’s Play It’s hard to imagine a movie role more perfectly suited to the actor playing it than Toomai in Elephant Boy (1937), the part that made Selar Shaik—known as Sabu—one of the least likely superstars in Western...
Nov 15, 2013 — Did You See This?• Adèle Exarchopoulos gets intimate on Charlie Rose. • Film Comment turns fifty! • Geoffrey O’Brien on Barbara Stanwyck • Allen Baron recalls his Blast of Silence. • Chantal Akerman on coming to New York • The...
The Daily
Feb 12, 2025 — As the magazine celebrates its centennial, Film Forum presents a series of stories drawn from its pages.
On the Channel
May 22, 2023 — Get in character for a journey through the history of Method acting, a movement that transformed the art of screen performance forever.