The Criterion Collection
Essays
Oct 24, 2019 — With deafening footfalls and an earsplitting roar, Gojira, known in the West as Godzilla, first thundered into Japan’s movie houses on November 3, 1954. Six and a half decades later, the monster presides over an international entertainment franchise, having starred...
In Theaters
Jan 3, 2019 — Repertory Picks Tomorrow, as part of its ongoing After Midnite series, the Coolidge Corner Theatre in Brookline, Massachusetts, will spool up a 35 mm print of Akira Kurosawa’s Yojimbo for a late-night screening. With this 1961 classic—made after he had...
Mar 21, 2011 — Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.
Oct 31, 2006 — The obvious question is: Why are we doing this? And the only answer is that it just seems like the right thing to do. The Criterion Collection is at an awkward age. By Variety and Hollywood Reporter standards, we’re not...
Oct 24, 2005 — Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.
Jul 17, 1995 — Kurosawa made the acquaintance of Desu Uzala thirty years earlier, when he read Vladimir Arseniev’s account of charting the Russian-Manchurian border in the earlier part of this century. There, the Russian soldier and explorer had met Dersu, the Siberian hunter,...