The Criterion Collection
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Aug 27, 2017 — Tobe Hooper, whose 1974 shocker The Texas Chain Saw Massacre “became one of the most influential horror films of all time,” as Pat Saperstein puts it in Variety, has passed away at the age of seventy-four. Saperstein: “Shot for less...
The Daily
Aug 19, 2017 — “So about Logan Lucky: I knew in the first shot that I was going to love this movie,” Amy Taubin tells Steven Soderbergh during her interview with him for Film Comment. “I call it the three-shot rule,” says Soderbergh. “After...
The Daily
Aug 2, 2017 — “Jonathan Demme loved people,” begins Matt Prigge, writing for Metro US. “There are villains in his movies—most notably that charming aesthete Hannibal Lecter, who loved people, too, only as food. And his biggest hits were about strife: the hunt for...
The Daily
Jun 21, 2017 — Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...
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Jun 16, 2017 — The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...
The Daily
Jun 14, 2017 — New York’s BAMcinemaFest opens tonight with Aaron Katz’s Gemini and closes on June 24 with Alex Ross Perry’s Golden Exits. “Now celebrating its ninth year, this modest yet prestigious festival, so shrewdly curated, so reliably comprehensive a treasury of contemporary...
Jun 6, 2017 — Combining sardonic humor with poignant characterizations, this cult comedy explores the discontents of two high-school graduates adrift in strip-mall America.
Apr 17, 2017 — A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.
Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.
Jan 27, 2017 — In a series of tautly constructed marriage dramas, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary Iranian society.