The Criterion Collection
Feb 18, 2016 — The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.
The Daily
Apr 22, 2025 — Adaptations, Hollywood histories, and Satyajit Ray’s cover designs feature in this month’s roundup.
Features
Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...
The Daily
Aug 24, 2017 — Cineaste has posted selections from its fiftieth anniversary issue, along with a round of web exclusives. Louis Menashe, professor emeritus at Polytechnic Institute of New York University and author of Moscow Believes in Tears: Russians and Their Movies, tells the...
On the Channel
Jun 17, 2025 — This July, find love under the sun with our Summer Romances collection and flirt with the seductive dangers of Miami’s most thrilling neonoirs.
The Daily
Oct 3, 2025 — Among them are the latest from Claire Denis, the return of Daniel Day-Lewis, and a dazzling restoration.
The Daily
Sep 1, 2017 — Xavier Dolan (above), “along with Cherry Jones, Flea from the Red Hot Chili Peppers, YouTube personality Troye Sivan, Emily Hinkler, Jesse LaTourette, David Joseph Craig, Théodore Pellerin, and Britton Sear have joined Joel Edgerton’s next directorial effort, Boy Erased,” reports...
The Daily
Sep 1, 2017 — Xavier Dolan (above), “along with Cherry Jones, Flea from the Red Hot Chili Peppers, YouTube personality Troye Sivan, Emily Hinkler, Jesse LaTourette, David Joseph Craig, Théodore Pellerin, and Britton Sear have joined Joel Edgerton’s next directorial effort, Boy Erased,” reports...
Apr 17, 2017 — A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.
Aug 20, 2024 — In the late 1980s, filmmakers Gregorio Rocha and Sarah Minter set out to capture the rebellious subculture of youth in Ciudad Nezahualcóyotl, a slumlike suburb synonymous with the worst failures of urban expansion in Mexico.