The Criterion Collection
The Daily
Dec 18, 2025 — At year’s end, we’re reading about the partnership and breakup of Alfred Hitchcock and composer Bernard Herrmann—and much more.
Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.
Sep 24, 2025 — Propelled by outstanding performances from Emmanuelle Devos and Vincent Cassel, Jacques Audiard’s third feature is the rare French crime film built around a complex female character who takes initiative in a male-dominated world.
The Daily
Sep 3, 2025 — Amanda Seyfried (The Testament of Ann Lee), Jesse Plemons and Emma Stone (Bugonia), and Dwyane Johnson (The Smashing Machine) dazzle in Venice.
Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.
Mar 26, 2025 — Ten newly restored features screen for a week in New York starting Friday.
The Daily
Nov 13, 2024 — The country’s largest festival of nonfiction films presents 110 features this year, and nearly as many short films.
The Daily
Nov 12, 2024 — Innovative metafictions and fresh readings of classic novels arrive along with books on Robert Kramer, Terrence Malick, and Nora Ephron.
Sep 24, 2024 — Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.