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The 400 Blows

Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.

Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.

Sep 19, 2011 — Jean-Luc Godard, lover of paradox, once characterized Claude Chabrol’s Les cousins (1959) as “a deeply hollow and therefore profound film,” a pronouncement, like so many of the pithy mots Godard used to reel off in the pages of Cahiers du...

Aug 17, 2010 — In his defiantly maverick directing career, which yielded only ten features in thirty-five years, Maurice Pialat (1925–2003) was a stimulant and irritant, agitating the cozy pool of French cinema. His first effort, the lyrically bitter short essay film L’amour existe...

Beaucoup de Truffaut

Short Takes

Apr 7, 2010 — The smart folks at the niftily designed film website Not Coming to a Theater Near You are in the midst of a monthlong feature titled Love on the Run: The Films of François Truffaut. One essay and film at a...

Jan 25, 2010 — Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But...

This explosion of vibrant, innovative, and highly self-conscious films from France in the late 1950s and early 1960s changed the game.

Jan 21, 2008 — In September 1997, I saw Agnès Varda introduce a brand-new 35 mm print of her first feature film, La Pointe Courte (made in 1954), to an admiring audience at Yale University. More astonishing than the luminous black-and-white images was Varda’s...

Apr 28, 2003 — The fourth installment in François Truffaut’s Antoine Doinel saga is a comedy about marriage, the desire to escape it, and the craftiness involved in running from one’s own desires.

Ratcatcher

Essays

Sep 9, 2002 — With her debut feature, Lynne Ramsay confirmed herself as one of the most distinct and important voices to emerge from the United Kingdom in recent years.

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