The Criterion Collection
Essays
May 30, 2017 — Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.
The Daily
May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...
The Daily
May 21, 2017 — Tonight, Sunday, May 21, 2017, Twin Peaks returns, just as Laura Palmer (may have) predicted it would twenty-five years ago, give or take. Eighteen one-hour episodes, all directed by David Lynch and cowritten with the show’s original co-creator, Mark Frost....
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
In Theaters
May 19, 2016 — Repertory PicksThis week, as part of its Hollywood Summer Nights series, the County Theater in Doylestown, Pennsylvania, will screen Sydney Pollack’s 1982 American classic Tootsie. Starring Dustin Hoffman in one of his finest performances, this progressive New York comedy follows...
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.
Jan 5, 2016 — Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
In Theaters
Jul 2, 2015 — Repertory PicksAmong Dustin Hoffman’s indelible cinematic creations are The Graduate’s awkward Benjamin Braddock, Midnight Cowboy’s apoplectic Ratzo Rizzo, and Rain Man’s autistic Raymond Babbit. But nothing in this chameleon’s oeuvre compares to his Dorothy Michaels, the female alter ego invented...