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So This Is Love

Aug 11, 2020 I’ve often found that the most successful short films and short stories apply what Ernest Hemingway called the “iceberg theory,” distilling a larger narrative into a very specific moment that allows audiences to infer the bigger picture in their own...

Jul 6, 2020 Songbook In the blue moonlight of a humid December night, an escape is underway. A man in army fatigues runs from an open-air cell with a rolled-up rug in one hand and a sword in the other, stolen from someone...

Bitter Harvest

Features

Sep 2, 2019 Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...

Apr 18, 2018 Sofia Coppola lets us behind closed doors in ways that are beyond the imagining of the novel’s boy narrators.

Mar 24, 2018 Just a day or two after Stephen Hawking left us on March 14, Isaac Butler called up Errol Morris for Slate to talk about A Brief History of Time (1991), the documentary that takes it title from Hawking’s surprise bestseller....

Dec 11, 2017 Over the weekend, the European Film Awards, the International Documentary Association’s IDA Awards, and the British Independent Film Awards were presented, and now, of course, we have the Golden Globe nominations. A good handful of critics’ organizations announced their picks...

Oct 1, 2017 “Since I saw Faces Places at its premiere at Cannes in May, [Agnès] Varda’s latest documentary has cemented itself on my running list of the year’s best titles,” writes Manohla Dargis in the New York Times. “Made with the French...

Jun 1, 2017 “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...

Feb 23, 2017 The week before Get Out opened to groundbreaking box-office success, we spoke with the director about the fine line between comedy and horror.

Apr 27, 2016 In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.

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