She and He

Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.

Mar 4, 2020 — A series in New York celebrates the under-recognized work of Alma Reville and Joan Harrison.

Feb 12, 2019 — In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...

Nov 13, 2017 — Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...

Sep 11, 2016 — On his seventy-sixth birthday, we’re celebrating the work of Hollywood enfant terrible Brian De Palma, whose iconoclastic five-decade career has encompassed an astonishing array of genres, including erotic thriller, war drama, and science fiction.

Apr 12, 2016 — Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”

Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.

Apr 8, 2014 — In telling the story of the young outcast Antoine Doinel, François Truffaut was moving both backward and forward in time—recalling his own experience while forging a filmic language that would grow more sophisticated throughout the 1960s.

May 27, 2026 — Is it possible to look without trying to grasp the object of one’s gaze? Traditional ethnographic documentaries, much like the written ethnographies that preceded them, have attempted to explain a given culture to those who don’t belong to it, assuming...

May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...