The Criterion Collection
Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.
Essays
Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.
Jan 18, 2012 — Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...
Essays
Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.
Mar 23, 2009 — The most crowd-pleasing film of François Truffaut’s latter career is also one of his most personal, drawing from his memories of the German occupation of France, his schoolboy years and his lifelong infatuation with the creative arts.
The Daily
Jul 1, 2020 — The actor, writer, and director was one of the most beloved comedians of his generation.
The Daily
Nov 4, 2019 — The Viennese avant-gardiste recontextualized found footage to create a landmark trilogy.
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
Features
Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...