Back To Search

Propaganda

Mar 30, 2022 Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Feb 22, 2022 The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.

Oct 18, 2021 Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Aug 27, 2021 This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.

Jul 29, 2021 As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jun 17, 2021 The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...

Amos Vogel at 100

The Daily

Mar 31, 2021 The Austrian Film Museum and Punto de Vista celebrate one of the most influential programmers in the history of cinema.

Mar 10, 2021 For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...

Feb 24, 2021 Hollywood is the unofficial ministry of propaganda for the United States. Newcomers to this country typically begin their process of Americanization well before they arrive, having been exposed, for quite some time, to the long-distance bombardment of American blockbusters. In...

Current Page
6
of 20

You have no items in your shopping cart