The Criterion Collection
The Daily
Jun 27, 2022 — A retrospective in Los Angeles celebrates the publication of the director’s first novel.
The Daily
May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.
The Daily
Apr 26, 2022 — The Sydney-based festival of new restorations offers a rich set of globally accessible program notes.
On the Channel
Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
The Daily
Oct 18, 2021 — Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
The Daily
Aug 27, 2021 — This week we’re delving into the history of Black cinema and reflecting on films from Afghanistan and Iran.
The Daily
Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”
Jun 17, 2021 — The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...