Poison Sangga: The Homewrecker's Curse

May 16, 2011 — Among the most enduringly popular motives for murder, in films as in life, is the desire to remove an impediment to happiness—to get somebody, once and for all, out of the way. In life, of course, the goal of freeing...

Jan 25, 2010 — Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But...

Apr 16, 2007 — Following debates about tensions between police and immigrant communities in France, director Mathieu Kassovitz began a public correspondence with the right-wing minister of the interior Nicolas Sarkozy.

Aug 29, 2017 — Late in his career, iconic French filmmaker Sacha Guitry reoriented his style by collaborating with the legendary actor Michel Simon for the pitch-black comedy La poison.

Nov 14, 2024 — BAM revisits the culture wars in a series that includes films by Martin Scorsese, Todd Haynes, and David Cronenberg.

Mar 20, 2023 — Among the highlights are a collection of erotic thrillers, a David Lynch retrospective, and a celebration of the hundredth anniversary of one of the most iconic moments in silent cinema.

May 14, 2025 — This month, dive into some of cinema’s most memorable swimming pools, dine across Europe with Steve Coogan and Rob Brydon, and watch out for that suave sociopath Tom Ripley.

Feb 21, 2023 — On the verge of implosion, the band rages through a performance of their song “Circle Sky” in a psychedelic, politically trenchant sequence from director Bob Rafelson’s debut feature.

Mar 27, 2017 — A master of rib-tickling dialogue and an innovator of dazzling narrative techniques, playwright-turned-filmmaker Sacha Guitry has long been revered by French movie lovers as an indispensable figure in the nation’s cinematic heritage, but his work has never received the level...

Aug 18, 2017 — “The last time I saw Poison [1991] it shocked me,” Todd Haynes tells Rory O’Connor at the Film Stage, “and it demonstrated to me a different side of myself, of my history, of our history as a culture, as a...