Aug 3, 2015 On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

Sep 26, 2013 Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.

Nov 8, 2011 Aflurry of publicity around Fanny and Alexander began well before the start of production. Ingmar Bergman said it would be his final film, and he allowed unusual media access to the set, even welcoming a pair of journalists who kept...

Sep 27, 2011 Internationally, Victor Sjöström is best known for his performance as Professor Isak Borg in Ingmar Bergman’s Wild Strawberries (1957). But behind that unforgettable face of old age is a younger man, a leading actor who was also the greatest Swedish...

Nov 9, 2008 Ken Ogata was a brave and talented actor. He took chances in a system that discouraged risk taking. I had been told that no reputable Japanese actor would star in Mishima because of the controversy surrounding Mishima and the notion...

Sep 3, 2007 As the opening credits for Night on Earth begin to roll, we are informed that the film is a Locus Solus Production. A curious name, no doubt unfamiliar to most people, but one that reveals a great deal about Jim...

Aug 13, 2007 Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...

Sep 18, 2006 Released in 1973, in the dying days of General Franco’s forty-year dictatorship, The Spirit of the Beehive soon established itself as the consummate masterpiece of Spanish cinema. Yet, strangely, many of the gifted artists who collaborated on Víctor Erice’s first...

May 22, 2006 Barbara Kopple’s detailed analysis of a Kentucky mine workers’ strike is a virtual hub of urgent themes, formal tendencies, political debates, and material practices that define post-sixties documentary in America.

Jun 13, 2005 Ernst Lubitsch was a big-city director. The historical dramas that he made in Germany in the late 1910s and early 1920s were known around the world for their distinctively urbane approach, focusing on the private lives of public people. This...

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