The Criterion Collection
The Daily
Sep 6, 2024 — Alex Cox discusses his first and next films, Warhol rarities screen in New York, and a courtroom drama revisits the culture wars of 1970s France.
The Daily
Jul 31, 2024 — Vancouver’s Cinematheque presents parallel series of American and international classics and outliers.
The Daily
Jul 22, 2024 — RaMell Ross’s Nickel Boys will open the NYFF, and TIFF and Venice Critics’ Week have unveiled lineups.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.
The Daily
Jul 17, 2024 — Summer reading options range from fiction to philosophy, from the fog of war to finicky fame.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
The Daily
Mar 27, 2024 — The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.
Mar 26, 2024 — In Gus Van Sant’s wickedly funny tale of suburban depravity, Nicole Kidman plays a vacuous weather reporter whose hunger for fame anticipates our own era of digital celebrity.
Features
Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.